I walked on the banks of the tincan banana dock and
sat down under the huge shade of a Southern
Pacific locomotive to look at the sunset over the
box house hills and cry.
Jack Kerouac sat beside me on a busted rusty iron
pole, companion, we thought the same thoughts
of the soul, bleak and blue and sad-eyed, sur-
rounded by the gnarled steel roots of trees of
machinery.
The oily water on the river mirrored the red sky, sun
sank on top of final Frisco peaks, no fish in that
stream, no hermit in those mounts, just our-
selves rheumy-eyed and hungover like old bums
on the riverbank, tired and wily.
Look at the Sunflower, he said, there was a dead gray
shadow against the sky, big as a man, sitting
dry on top of a pile of ancient sawdust--
--I rushed up enchanted--it was my first sunflower,
memories of Blake--my visions--Harlem
and Hells of the Eastern rivers, bridges clanking Joes
Greasy Sandwiches, dead baby carriages, black
treadless tires forgotten and unretreaded, the
poem of the riverbank, condoms & pots, steel
knives, nothing stainless, only the dank muck
and the razor-sharp artifacts passing into the
past--
and the gray Sunflower poised against the sunset,
crackly bleak and dusty with the smut and smog
and smoke of olden locomotives in its eye--
corolla of bleary spikes pushed down and broken like
a battered crown, seeds fallen out of its face,
soon-to-be-toothless mouth of sunny air, sun-
rays obliterated on its hairy head like a dried
wire spiderweb,
leaves stuck out like arms out of the stem, gestures
from the sawdust root, broke pieces of plaster
fallen out of the black twigs, a dead fly in its ear,
Unholy battered old thing you were, my sunflower O
my soul, I loved you then!
The grime was no man's grime but death and human
locomotives,
all that dress of dust, that veil of darkened railroad
skin, that smog of cheek, that eyelid of black
mis'ry, that sooty hand or phallus or protuber-
ance of artificial worse-than-dirt--industrial--
modern--all that civilization spotting your
crazy golden crown--
and those blear thoughts of death and dusty loveless
eyes and ends and withered roots below, in the
home-pile of sand and sawdust, rubber dollar
bills, skin of machinery, the guts and innards
of the weeping coughing car, the empty lonely
tincans with their rusty tongues alack, what
more could I name, the smoked ashes of some
cock cigar, the cunts of wheelbarrows and the
milky breasts of cars, wornout asses out of chairs
& sphincters of dynamos--all these
entangled in your mummied roots--and you there
standing before me in the sunset, all your glory
in your form!
A perfect beauty of a sunflower! a perfect excellent
lovely sunflower existence! a sweet natural eye
to the new hip moon, woke up alive and excited
grasping in the sunset shadow sunrise golden
monthly breeze!
How many flies buzzed round you innocent of your
grime, while you cursed the heavens of the rail-
road and your flower soul?
Poor dead flower? when did you forget you were a
flower? when did you look at your skin and
decide you were an impotent dirty old locomo-
tive? the ghost of a locomotive? the specter and
shade of a once powerful mad American locomo-
tive?
You were never no locomotive, Sunflower, you were a
sunflower!
And you Locomotive, you are a locomotive, forget me
not!
So I grabbed up the skeleton thick sunflower and stuck
it at my side like a scepter,
and deliver my sermon to my soul, and Jack's soul
too, and anyone who'll listen,
--We're not our skin of grime, we're not our dread
bleak dusty imageless locomotive, we're all
beautiful golden sunflowers inside, we're bles-
sed by our own seed & golden hairy naked ac-
complishment-bodies growing into mad black
formal sunflowers in the sunset, spied on by our
eyes under the shadow of the mad locomotive
riverbank sunset Frisco hilly tincan evening sit-
down vision.
-Allen Ginsberg
Filed under Allen Ginsberg
At the deadlock, Athena turned up, Athena!
her garment having been kissed by many men or what,
we don’t know, and she in her deciding vote acquitted
him. For us to lose, in effect, a case of matricide
meant the balance of power was shifting.
I pour another vodka. What I didn’t say to Jade was,
it meant we’d be lying low for some time,
centuries perhaps. I remember the fires of earlier camps.
In the distance, border furies, heat furies, storm furies.
The sound of the Barking Owl.
And this owl, a real owl, sounds like a woman being murdered –
Athena, your bird is telling you something!
But Athena, last we heard, was with her cousin Kate Kyriakou
on their way back to Greece for the Olympics.
At the last minute they got a Virgin flight.
It’s an irony of fate, I said, that it was a foremost goddess
who helped tilt that power.
Or not, Jade said, maybe it was simply a pivot-point in storytelling
where men must be shown to be in control, and the best
way to do that is to get a woman to do the job.
Yes, I said. Let’s present it to Athena this way: she’s being chosen
to give an award in a public ceremony and get her picture
in the morning paper, her big chance, as a goddess,
to be kind and compassionate.
To downplay the warlike.
Mesmerise her with theology – Jade said,
and perhaps flirt with her at the same time.
For whatever reason, I said, Athena – without consenting
to matricide – did not give it a high level of punishment.
Certainly she didn’t exact a death.
In that sense you have to admit she is a civilising factor, I said.
Flick your dreads as you may, Jade said.
We hounded the son, though, I said. One time we said
we’d leave him alone for a while if he promised to do
penance at the Temple of Artemis.
—Susan Hampton
Filed under susan hampton
Listen carefully, my son: bombs were falling
over Mexico City
but no one even noticed.
The air carried poison through
the streets and open windows.
You’d just finished eating and were watching
cartoons on TV.
I was reading in the bedroom next door
when I realized we were going to die.
Despite the dizziness and nausea I dragged myself
to the kitchen and found you on the floor.
We hugged. You asked what was happening
and I didn’t tell you we were on death’s program
but instead that we were going on a journey,
one more, together, and that you shouldn’t be afraid.
When it left, death didn’t even
close our eyes.
What are we? you asked a week or year later,
ants, bees, wrong numbers
in the big rotten soup of chance?
We’re human beings, my son, almost birds,
public heroes and secrets.
- Roberto Bolano Avalos
Filed under poetry Roberto Bolano Avalos
This lunar beauty
Has no history
Is complete and early,
If beauty later
Bear any feature
It had a lover
And is another.
This like a dream
Keeps other time
And daytime is
The loss of this,
For time is inches
And the heart’s changes
Where ghost has haunted
Lost and wanted.
But this was never
A ghost’s endeavor
Nor finished this,
Was ghost at ease,
And till it pass
Love shall not near
The sweetness here
Nor sorrow take
His endless look.
-W.H. Auden
(Source: noblepromise)
Filed under W.H. Auden submission
Then came the darker sooner,
came the later lower.
We were no longer a sweeter-here
happily-ever-after. We were after ever.
We were farther and further.
More was the word we used for harder.
Lost was our standard-bearer.
Our gods were fallen faster,
and fallen larger.
The day was duller, duller
was disaster. Our charge was error.
Instead of leader we had louder,
instead of lover, never. And over this river
broke the winter’s black weather.
—Catherine Wing
Filed under catherine wing
Day and night
I always dream with open eyes
And on top of the foaming waves
Of the wide turbulent sea,
And on the rolling
Desert sands,
And merrily riding on the gentle neck
Of a mighty lion,
Monarch of my heart,
I always see a floating child
Who is calling me!
- Jose Marti
Filed under Jose Marti